Theatre Review - Bluets
 |
Ben Whishaw in Bluets [Camilla Greenwell] |
MAGGIE Nelson’s Bluets (2009), a
“poetic memoir” written in numbered segments, adapted for the stage by Margaret
Perry, deals with themes of depression, pain, desire and heartbreak through the
lens of the colour blue. Perry combines fragments of the book’s text with
passages from Nelson’s poetry collection Something Bright, Then Holes.
Three
performers, Emma D’Arcy, Kayla Meikle and Ben Whishaw narrate the story, taking
us inside one woman’s mind, her thoughts and emotions, as she tries to process
her grief after the breakdown of a relationship.
Various artists such as Billie
Holiday, Derek Jarman, Joni Mitchell and Andy Warhol are referenced as we
accompany the woman on her personal journey through several significant events.
Using Katie Mitchell’s Live Cinema technique, the actors stand in front of a
screen with a filmed background while a camera (operated offstage) superimposes
the actor’s image on the pre-recorded footage (the video director is Grant Gee,
designer Ellie Thompson).
The stage management team provide the props (pillow,
duvets, trays and so forth), create the sound effects and reposition the
monitors while the actors do quick changes.
Musical material is expertly blended
with naturalistic sounds (co-created by Paul Clark and Munotida Chinyanga) and
the performers’ voices.
The combination of sound, music, lighting, film and live
performance is undeniably impressive. It’s as though they are deconstructing the
art of cinema and the art of the performance at the same time
Bluets is an
audacious opening production by artistic director, David Byrne (from Camden’s
New Diorama), and entirely in keeping with his dedication to “risk” and
“adventure”.
I imagine Bluets will win Nelson new fans but may also divide
audiences. Technically it’s highly accomplished and the actors’ timing is
impeccable. But I couldn’t help feeling that the intricate staging distracts
from Nelson’s poetry and, like the colour blue, it ultimately left me cold.
Until June 29
royalcourttheatre.com/
Originally published by Camden New Journal