A Country to Call Home
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From the editor of A Country of Refuge comes an anthology of new writing on one of the defining issues of our time. Focusing on the fate of refugee children and young adults, it is aimed at children and adult readers alike, and features work from Michael Morpurgo, Eoin Colfer, Kit de Waal and Simon Armitage among many others.
There are tales of home, and missing it; poems about the dangerous journeys undertaken and life in the refugee camps; stories about prejudice, but also stories of children’s fortitude, their dreams and aspirations.
A Country to Call Home implores us to build bridges, not walls. It is intended as a reminder of our shared humanity, seeking to challenge the negative narratives that so often cloud our view of these vulnerable young people, and prevent us giving them the empathy they deserve.
The book includes newly commissioned stories, flash fiction, poetry and original artwork from some of our finest children’s writers: David Almond, Eoin Colfer, Chris Riddell, Moniza Alvi, Sita Brahmachari, Peter Kalu, Judith Kerr, Patrice Lawrence, Anna Perera, the late Christine Pullein-Thompson, Bali Rai and S. F. Said.
A Country to Call Home follows Lucy Popescu’s 2016 anthology of writing on asylum seekers, but here the focus is children. Among the contributors are noted children’s and young-adult authors Michael Morpurgo, Eoin Colfer, Bali Rai and David Almond, with poetry by Simon Armitage and Moniza Alvi, among others. Popescu also interviews Judith Kerr, author of The Tiger Who Came to Tea, who fled Berlin in 1933 aged nine.
Standouts include the extract from SF Said’s fantasy novel Phoenix and Hassan Abdulrazzak’s “The Good Girl in the All-Terrain Boots”. Kit de Waal’s “Did You See Me?” speaks for the child migrant found drowned in Turkey, whose fate led to this compilation. It’s not all tragedy; there are tales of resilience, humour and sheer childish high spirits. Suzi Feay https://www.ft.com
There are tales of home, and missing it; poems about the dangerous journeys undertaken and life in the refugee camps; stories about prejudice, but also stories of children’s fortitude, their dreams and aspirations.
A Country to Call Home implores us to build bridges, not walls. It is intended as a reminder of our shared humanity, seeking to challenge the negative narratives that so often cloud our view of these vulnerable young people, and prevent us giving them the empathy they deserve.
The book includes newly commissioned stories, flash fiction, poetry and original artwork from some of our finest children’s writers: David Almond, Eoin Colfer, Chris Riddell, Moniza Alvi, Sita Brahmachari, Peter Kalu, Judith Kerr, Patrice Lawrence, Anna Perera, the late Christine Pullein-Thompson, Bali Rai and S. F. Said.
Reviews:
A Country to Call Home
Edited by Lucy Popescu
(Unbound, 256 PP, £9.99)
Edited by Lucy Popescu
(Unbound, 256 PP, £9.99)
Probably the
most unusual and exceptional book I shall read this year, A Country to Call
Home is an anthology of stories and poems on the experiences of young refugees
and asylum seekers from various countries. The contributions are by
established writers, some of whom work with refugees themselves and write of
their experiences. Put together by Lucy Popescu, the book contains pieces from
Michael Morpurgo, David Almond, Anna Perera, Kit de Waal and many others.
These stories
will have you in tears, or they will make you very angry, or determined to do
more, or numbed by disbelief, or admiring of the strength of the young people
portrayed – any or all of these, but they will not leave you unmoved. Many are
pitiful, and many show the remarkable resilience of young people knowing they
have to escape the fear and violence of home.
There is Bali
Rai’s tale of Nadia, her mother and little sister already dead, who is left
alone when the boat sinks and she sees her Papa slowly slide beneath the waves.
In Fiona Dunbar’s story, Kal needs pants. He has no clothes of his own and all
he can think about is the joy of clean underwear such as his mother always
provided. Sita Brahmachari’s contribution is about 14-year-old Amir Karoon from
Iraq, who is walking away from death taking with him only one lemon which he
found under their garden wall when looking, without success, for his parents
and brother. Amir is taken under the wing of a couple whom he meets on his
unbelievably dreadful journey to freedom, and whose own baby dies in the
refrigerated lorry in which they are locked by the smuggler who is getting them
to England.
Adam Barnard
writes of a trip to a country farm with a group of 12 teenage boys, all
refugees. He says “… the challenges faced by young refugees in this country are
greater and more complex than most of us can imagine”. How do these boys, some
little more than children, striving to make a life in this country with its
alien language and customs, cope with the possibility of being returned to
their native lands, where nothing is left for them, not home nor family? Yet
this can happen to them when they reach 18 and their applications to stay are
refused, as is sometimes the case. Helpful as Social Services try to be, they
are swamped by numbers as well as by individual needs.
Among the
writers Lucy Popescu has recruited to the cause is her own late mother,
Christine Pullein-Thompson, best-known for her wonderful pony books, but here
recounting the story of Ion who crossed the border on a whim and is now frantic
to get back to his home and his grandmother who needs him. Some of the writers,
like Moniza Alvi, write from personal experience, but all have been inspired by
the appalling news and pictures of recent years.
Another way in
which this book is unusual, is that it has been funded by its readers. Unbound
is a pioneering group whose website lists ideas for books, and invites
contributions to the publishing costs. The result, if enough is pledged, is a
well-produced book with the names of the sponsors listed at the back. This
crowdfunding, which sidesteps regular publishers, enables the publication of
many deserving books which otherwise would never see the light of day. What’s
more, as a noble precedent, Samuel Johnson used this method to fund his famous dictionary. Clarissa Burden, TheTablet.co.uk
Standouts include the extract from SF Said’s fantasy novel Phoenix and Hassan Abdulrazzak’s “The Good Girl in the All-Terrain Boots”. Kit de Waal’s “Did You See Me?” speaks for the child migrant found drowned in Turkey, whose fate led to this compilation. It’s not all tragedy; there are tales of resilience, humour and sheer childish high spirits. Suzi Feay https://www.ft.com